Basics
Intervals
Simple
Extended
Note Letter-Names
Chromatic
F Major
C Major
G Major
D Major
Chords
Theory
Triads
Reference Charts
Voicings
Maj, min, dim, Aug
Common Voicings
1 3 5
3 5 1
5 1 3
1 5 0 3
1 3 0 0 5, 1 0 0 3 5
3 0 1 5
5 1 0 0 3
1 0 1 3 5, 1 3 1 0 5
1 5 0 3 1, 3 0 1 5 1
1 5 1 3
sus4, sus2
Common Voicings
1 2/4 5
2/4 5 1
5 1 2/4
1 5 0 2/4
1 2/4 0 0 5, 1 0 0 2/4 5
2/4 0 1 5
5 1 0 0 2/4
1 0 1 2/4 5, 1 2/4 1 0 5
1 5 0 2/4 1, 2/4 0 1 5 1
1 5 1 2/4
Sevenths
Reference
Maj7, Dom7, min7, min7b5
Common Voicings
1 0 7 3 5, 1 3 7 0 5
1 5 0 3 7, 3 0 1 5 7
1 5 7 3
minM7, Dom7b5, Dom7#5, Maj7#5
Common Voicings
1 0 7 3 5, 1 3 7 0 5
1 5 0 3 7, 3 0 1 5 7
1 5 7 3
dim7, dimM7
Common Voicings
1 0 7 3 5, 1 3 7 0 5
1 5 0 3 7, 3 0 1 5 7
1 5 7 3
Maj7sus4, Maj7sus2, Dom7sus4, Dom7sus2
Common Voicings
1 0 7 2/4 5, 1 2/4 7 0 5
1 5 0 2/4 7, 2/4 0 1 5 7
1 5 7 2/4
Sixths
Reference
Maj6, Min6
Common Voicings
1 0 6 3 5, 1 3 6 0 5
1 5 0 3 6, 3 0 1 5 6
1 5 6 3
Ninths
Reference
Maj9, Maj6/9
min9, min9b5
Dom9, Dom9#5, Dom9b5
Dom7b5b9, Dom7#5#9, Dom7b5#9, Dom7#5b9
Elevenths
Reference
Maj11, Maj9#11, min11
Dom11, Dom9#11, Dom7b9#11, Dom7#9#11
Thirteenths
Reference
Maj13, min13, minb13
Dom13, Dom13b9, Dom13b9b5
Chord Relations for Common Voicings
Maj, Maj7, Dom7, Maj6
1 0 7 3 5, 1 3 7 0 5
1 5 0 3 7, 3 0 1 5 7
1 5 7 3
min, minM7, min7, min6
1 0 7 3 5, 1 3 7 0 5
1 5 0 3 7, 3 0 1 5 7
1 5 7 3
dim, dimM7, min7b5 dim7
1 0 7 3 5, 1 3 7 0 5
1 5 0 3 7, 3 0 1 5 7
1 5 7 3
Maj7#5, Maj7
1 0 7 3 5, 1 3 7 0 5
1 5 0 3 7, 3 0 1 5 7
1 5 7 3
Dom7#5, Dom7, Dom7b5
1 0 7 3 5, 1 3 7 0 5
1 5 0 3 7, 3 0 1 5 7
1 5 7 3
min7, min7b5
1 0 7 3 5, 1 3 7 0 5
1 5 0 3 7, 3 0 1 5 7
1 5 7 3
Maj7sus4, Maj7, minM7, Maj7sus2
1 0 7 3 5, 1 3 7 0 5
1 5 0 3 7, 3 0 1 5 7
1 5 7 3
Dom7sus4, Dom7, min7, Dom7sus2
1 0 7 3 5, 1 3 7 0 5
1 5 0 3 7, 3 0 1 5 7
1 5 7 3
Scales
The Major Scale
Reference
Single Position Patterns
I - Ionian
ii - Dorian
V7 - Mixolydian
vi - Aeolian
Double Position Patterns
I - Ionian
ii - Dorian
V7 - Mixolydian
vi - Aeolian
The Melodic Minor Scale
Reference
Single Position Patterns
iM7 - Ionian b3
IV7 - Lydian Dominant
VII7b5#5 - Altered
Double Position Patterns
iM7 - Ionian b3
IV7 - Lydian Dominant
VII7b5#5 - Altered
Symetric Scales
Reference
Patterns
Diminished minor
Diminished Dominant
Augmented
Whole-Tone ( #4 )
Whole-Tone ( b5 )
Chromatic
Pentatonic Scales
Reference
Blues Scales
Reference
Bebop Scales
Reference
Miscellaneous Scales
Reference
Exotic Scales
Reference
Five-Tone Exotic Scales
Reference
Arpeggios
The Major Scale
Single Position Patterns
I - Ionian
ii - Dorian
V7 - Mixolydian
vi - Aeolian
Double Position Patterns
I - Ionian
ii - Dorian
V7 - Mixolydian
vi - Aeolian
The Melodic Minor Scale
Single Position Patterns
iM7 - Ionian b3
III+5 - Lydian Augmented
IV7 - Lydian Dominant
Double Position Patterns
iM7 - Ionian b3
III+5 - Lydian Augmented
IV7 - Lydian Dominant
Harmonics
Reference
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